Saturday, May 28, 2011

Appleton, WI

Sunday, May 22, 2011


The combination of isolation and oceanscape at Centrum was a creative powderkeg -- about 100 pages written on a new novel. It's a total mess of course but now I have something solid to shape. A sandcastle to knock down, rebuild.

Wednesday, May 18, 2011

Sun halo: Friday, May 13, 2011

The large photos are unaltered; smaller ones, played with color.

Wednesday, May 11, 2011

Space and time

My writing room at Centrum.

Saturday, May 7, 2011

The road

Tuesday, May 3, 2011

The care and feeding of writers in captivity*

*or Why Writers Colonies Are So Important

Once in a while I have a hard time explaining what the big deal is about writers colonies, why we need a special place to go to write. As one writer said one night during dinner at Dairy Hollow -- People say, can't you just sit down and write?

Sometimes. No. Maybe.

And then your mom calls or the dog needs walking or someone has Just One Question. And then what might have been an idea dissipates into nothing, or a character stops talking, and work is lost.

Writer's colonies give writers the psychic space and time needed to let things happen creatively. It's a mysterious process, no doubt. When people talk to writers they want to know where ideas come from. You can talk about sources of inspiration and how to develop characters and plot, but really, we don't know either. We just know it happens, and it often happens in the quiet. We get a lot of work done by staring out the window. In a way, writing is like trying to read the future -- to hear something that isn't there and hasn't happened yet. Quiet space to listen is vital.

At the same time, we need a certain kind of noise. We're shameless eavesdroppers, we writers. When we get out of our element, we hear different kinds of conversations. We meet new people and ask questions, too, and are given the gift of information. Each new piece is a seed.

We get visual noise, too, the details of somewhere else. We hear noises that aren't there, and if we listen hard enough sometimes we hear the voices of ghosts.

There's also this: We need the company of other writers, to be with others who understand the peculiar vulnerabilities, insecurities and joys of being a writer. To know sometimes we share artistic quirks. Isn't it funny, another writer said one night, how we meet these great people during dinner and then we all go back to our rooms to be alone? Yes. And we get that.

Writer's colonies get that, too. One afternoon I visited a big cat refuge near Eureka Springs, watching the biologists feeding pieces of chicken to the tigers and lions. One night at dinner another writer and I found a whole chicken waiting for us on the table.

Just feed us and let us do our thing. They know.